]]> http://signalmarketing.wordpress.com/2011/12/04/festival-internacional-de-cortometrajes-vagon-2011-ciudad-juarez/feed/ 0 signalmarketing Colectivo_movimiento_-_arte_y_ http://signalmarketing.wordpress.com/2011/12/04/la-nueva-camara-profesional-p2-de-panasonic-panasonic-ag-hpx250-ha-sido-aprobada-por-la-bbc-para-creacion-de-contenidos-avc-intra-10bit-422/ http://signalmarketing.wordpress.com/2011/12/04/la-nueva-camara-profesional-p2-de-panasonic-panasonic-ag-hpx250-ha-sido-aprobada-por-la-bbc-para-creacion-de-contenidos-avc-intra-10bit-422/#comments Sun, 04 Dec 2011 21:25:00 +0000 SignalGroup http://signalmarketing.wordpress.com/2011/12/04/la-nueva-camara-profesional-p2-de-panasonic-panasonic-ag-hpx250-ha-sido-aprobada-por-la-bbc-para-creacion-de-contenidos-avc-intra-10bit-422 ]]>

$5,995 Dólares

Panasonic presentó la nueva cámara de mano AG-HPX250.



Este camcorder pertenece a la gama P2-HD e incorpora de serie el codec AVC-Intra.

Las principales características de este nuevo camcorder son:

Tres sensores MOS de 1/3″ con resolución 1920×1080 (2.2Mpix).
Camcorder de mano P2HD de ámbito broadcast, con 2 ranuras de tarjeta P2.
Lente gran angular (28mm) con zoom óptico 21x (equivalente 28mm a 588mm).
Tecnología ULT: alta sensibilidad y bajo nivel de ruido.
Rueda de filtros de densidad Neutral ND (1/4, 1/16, 1/64).
Formatos de grabación: AVC-Intra 100/50, DVCPROHD, DVCPRO50, DVCPRO y DV.
Modo de grabación de único clip y función de Pregrabación.
Monitor LCD de alta resolución, con visualización de Monitor Forma de Onda y Vectorscopio.
3 anillos de control manual: iris, zoom y foco.
Cine-gamma, DRS y Velocidad de cuadro variable.
Salidas HD-SDI y HDMI.
Entrada de Genlock y entrada y salida de TC.
Dos entradas de audio XLR con alimentación phantom +48V.
Interfaces IEEE1394 y USB2.0 (Host/Device).
Camcorder Mundial Conmutable 50/59.94Hz.
Servicio Premium 5 años de garantía, 5 días de reparación.
El nuevo camcorder AG-HPX250 estará disponible en otoño de 2011.

10-bit, 4:2:2, full-resolution, independent-frame, AVC-Intra 100
1/3″ 2.2M 3MOS imager
22X wide HD fixed lens
Mechanical zoom, 3 rings (Zoom/Focus/Iris)
HD/SD formats, frame rates, Variable Frame Rates (720p/1080p)
Professional input/outputs, including Genlock, timecode, HDSDI, HDMI
Easy Operation with 4 user buttons
Digital Zoom (2X/5X/10X)
Flash Band Compensation (FBC)
Dynamic Range Stretch (DRS)
Built-in SMPTE time-code generator/reader
4-position ND optical filter controls
Auto focus with face detection, white balance, mode display, zebra display, color bar, tally lamps, slow shutter and synchro-scan shutter functions
Widescreen LCOS color viewfinder
Widescreen LCD color flip-out monitor
Two P2 card slots
Weighs approx. 5.5 lbs
Multiple 1/4″ 20 and 3/8″ screw holes (top/bottom) for connection to industry mounting equipment
Power consumption of only 15 watts
Five-year limited warranty program (1 year + 4 additional years with registration)

INCLUDED ACCESSORIES

* Battery
* Battery charger with AC Cable
* Camera Adapter with AC Cable
* Wireless remote
* Camera Strap

Con un precio en USA de $5,995 dólares

Specs

Power Supply:	7.9V (using AC adaptor)
Power Consumption:	15W (when LCD Monitor ON)
Operating Temperature:	0°C to 40°C
Operating Humidity:	10% to 80% (no condensation)
Weight:	Approx. 2.5 kg (camcorder only)
Dimensions (WxHxD):	180 mm × 195 mm × 438 mm, excluding the projection part
Pick-up Device:	1/3 Type Progressive, 2.2Mil Pixels, 3MOS
Number of Effective Pixels (HxV):	1920 x 1080
Lens:	Panasonic lens with optical image stabilizer, motorized/manual mode switching, 22x zoom, F1.6 – 3.2 (f=3.9mm to 86mm / 35mm equivalent: 28 mm to 616 mm, 16:9)
Filter Diameter:	72 mm
Optical Color Separation:	Prism system
ND Filter:	OFF, 1/4, 1/16, 1/64
Minimum shooting distance:	Approx. 1 meter
Gain Selection:	0/+3/+6/+9/+12/+15/+18/+24/+30dB (+24 & +30 dB are to be allocated only for USER SW)
Shutter Speed (Preset):	24p mode: 1/24 sec.(OFF), 1/60 sec., 1/100 sec., 1/120 sec., 1/250 sec., 1/500 sec., 1/1000 sec., 1/2000 sec.
Slow Shutter Speed:	24p mode: 1/6 sec. and 1/12 sec.
Shutter Speed (Synchro Scan):	24p mode: 1/24.0 sec. to 1/249.8 sec.
Aperture Angle:	3 degree to 359.5 degree, by 0.5 degree step selectable
Frame Rate:	720p: 1 / 2 / 4 / 6 / 9 / 12 / 15 / 18 / 20 / 21 / 22 / 24 / 25 / 26 / 27 / 28 / 30 / 32 / 34 / 36 / 40 / 44 / 48 / 54 / 60 fps – 25 steps
Sensitivity:	F10 (2000lx, 3200K, 89.9% reflection, 1080/59.94i, P.A.P. FILTER: TYPE1)
Minimum Luminance:	0.2 lx (when F1.6, +30dB of gain, and 1/30 sec. of shutter speed, P.A.P. FILTER: TYPE1)
Digital Zoom:	2x / 5x / 10x
Recording Media:	P2 Card
Recording Format:	AVC-Intra 100 / AVC-Intra 50 / DVCPRO HD / DVCPRO50 / DVCPRO / DV
Recording Time:	*Time shown above is when you record a series of 1 shot to P2 card. Depending on numbers of shots you record, time will get shorter than the number shown above.
Recording Video Format:	720/59.94p, 720/29.97p, 720/29.97pN, 720/23.98p, 720/23.98pN, 480/59.94i, 480/29.97p, 480/23.98p, 480/23.98pA
Sampling Frequency:	Y: 13.5 MHz, PB/PR: 3.375 MHz
Quantizing:	DVCPRO HD/DVCPRO50/DVCPRO/DV: 8 bits
Video Compression:	DV: DV compression (IEC 61834-2)
Recording Audio Signal:	DVCPRO/DV: 48kHz/16bits, 2CH/4CH switchable
GENLOCK IN:	BNC x 1, 1.0Vp-p, 75 Ω
GENLOCK IN Additional Information:	BB or HD-Y
VIDEO OUT:	Pin jack x 1, 1.0Vp-p, 75 Ω
SDI OUT:	BNC x 1 (10 bits 4:2:2 camera through), 0.8Vp-p, 75 Ω, HD/SD switchable
HDMI OUT:	HDMI x 1, Type A
Built-in Microphone:	Stereo microphone
Audio IN:	MIC: -40 / -50 / -60 dBu (selectable in menu)
Audio IN Additional information:	Headroom 12dB
Audio Out:	Pin jack x 2 (CH 1, CH 2), Output: 316 mV, 600 Ω
Headphone:	Stereo mini jack (3.5 mm diameter) × 1
Built-in Speaker:	20 mm (round) × 1
Camera Remote:	Mini jack (3.5mm diameter) x 1 for FOCUS and IRIS controls
TC IN/OUT:	OUT: 2.0±0.5 Vp-p, low impedance
IEEE 1394 IN/OUT:	6 Pin, Digital IN/OUT, based on IEEE 1394 Standard
USB2.0 (DEVICE):	Type mini B connector (compliant with USB ver. 2.0)
USB2.0 (HOST):	Type A connector (compliant with USB ver. 2.0)
LCD Monitor:	3.45 inches, LCD color monitor, approx. 921,000 pixels (16:9)
Viewfinder:	0.45 inches, LCD color viewfinder, approx. 1,226,000 pixels (16:9)
Standard Accessories:	Microphone Holder Screws x4, Microphone Holder Adaptor, Lens Cap, INPUT Terminal Cap x2

All brand and company/product names are trademarks or registered trademarks of the respective companies. All specifications are subject to change without notice. Information on Panasonic Solutions Company’s full line of products can be obtained by calling 877-803-8492 or at http://www.panasonic.com/broadcast.

Links de Panasonic

Del escritorio del
© Ing. José María Noriega Fernández
CEO Productor Ejecutivo y Director
Signal Group
http://www.signal.com.mx
VideoWorld Studio
http://www.video.com.mx

PANASONIC-AGHPX250.pdf Download this file

sp-hpx250pe-brochure.pdf Download this file

Posted via email from Signal Group

A Star Is Born: Canon Launches New Digital Cinema Camera For High-Resolution Motion Picture Production

Examples

Mobius by Vincent Laforet

Sword by Felix Alcara

XXIT By Sam Nicholson  A.S.C.

Max is Back by Richard Crudo A.S.C.

Pricing and availability

The Canon EOS C300 (EF mount) digital cinema camera will be available in late January 2012 for an estimated list price of $20,000. US

The Canon EOS C300 PL (PL mount) digital cinema camera will be available in late March 2012 for an estimated list price of $20,000.

www.usa.canon.com/cinemaeos

Canon USA Announces Cinema EOS C300 and EOS C300 PL Cameras

Specifications

8.3mp 2160×3840 Super-35 CMOS sensor (4K resolution)

DIGIC DVIII Processor

Canon XF Codec

Dual Compact Flash Slots

Exposure and focus are both manual only

Uses existing BP-955 and BP-975 batteries

Sold as a system, including LCD monitor / XLR audio unit, side grip, and top handle.

Availability: Jan. 2012; Price: appx. $16,000 USD

HOLLYWOOD, California, November 3, 2011/TOKYO, November 4, 2011 – Canon Inc. and Canon U.S.A., Inc. today raised the curtain on an all-new interchangeable-lens digital cinema camera that combines exceptional imaging performance with outstanding mobility and expandability to meet the demanding production needs of today’s motion picture industry. The camera, which features a newly developed Super 35 mm-equivalent approximately 8.29-megapixel CMOS sensor, will be available in two models: the EOS C300 Digital Cinema Camera^*, equipped with an EF lens mount for compatibility with Canon’s current diverse lineup of interchangeable EF lenses for EOS single-lens reflex (SLR) cameras and new EF Cinema Lens lineup; and the EOS C300 PL Digital Cinema Camera^*, with a PL lens mount for use with industry-standard PL lenses.

New Lenses (PL & EF Versions)

Canon Zoom Lens CN-E14.5-60mm T2.6 L S

Canon Zoom Lens CN-E14.5-60mm T2.6 L SP

Canon Zoom Lens CN-E30-300mm T2.95-3.7 L S

Canon Zoom Lens CN-E30-300mm T2.95-3.7 L SP

Three New Primes for EF Mount Only

Canon Prime Lens CTZ-029 (24mm)

Canon Prime Lens CTZ-030 (50mm)

Canon Prime Lens CTZ-031 (85mm)

Mobius by Vincent Laforet

<p>Mobius :: Behind The Scenes from Blake Whitman on Vimeo.</p>

Anouncement Video By Jared Abrams

Sword by Felix Alcara

XXIT By Sam Nicholson  A.S.C.

Max is Back by Richard Crudo A.S.C.

The introduction of the EOS C300/C300 PL coincides with the launch of the Cinema EOS System, marking Canon’s full-fledged entry into the digital high-resolution production industry. The new professional digital cinematography system spans the lens, digital cinema camera and digital SLR camera product categories.

Star-Studded Supporting Cast
Equipped with an EF lens mount, the EOS C300 is supported by an all-star cast of high-performance EF lenses, not only the wide array of interchangeable EF lenses for EOS SLR cameras that have earned the trust and respect of photographers around the world, but also the EF cinema lenses in the newly announced Cinema EOS System. When outfitted with a Canon EF lens, the C300′s peripheral illumination correction automatically corrects for vignetting in accordance with each lens’s optical characteristics, and enables iris control from the camera. Canon EF lenses also enable the recording of such metadata as the name of the lens used, aperture setting and shutter speed.ⁱ

Show-Stopping High-Resolution Full-HD Performance
The Canon EOS C300/C300 PL’s newly developed Super 35 mm-equivalent CMOS sensor incorporates approximately 8.29 million effective pixels and has a pixel size that is larger than that for conventional professional camcorders, enabling greater light-gathering capabilities for enhanced sensitivity and reduced noise. The sensor reads Full HD (1920 x 1080 pixels) video signals for each of the three RGB primary colors, decreasing the incidence of moiré while realizing high resolution with 1,000 horizontal TV lines.

Supported by a heightened signal read-out speed, the CMOS sensor reduces rolling shutter skews, a phenomenon prevalent with CMOS sensors in which fast-moving subjects may appear diagonally distorted. Additionally, the powerful combination of the sensor with Canon’s high-performance DIGIC DV III image processor facilitates high-precision gamma processing and smooth gradation expression.

In addition to MPEG-2 Full HD (MPEG2 422@HL compliant) compression, the EOS C300/C300 PL employs 4:2:2 color sampling for high-resolution performance that minimizes the appearance of "jaggies" at chroma edges. Additionally, with a maximum recording rate of 50 Mbps, the camera supports the recording of high-quality video.

The camera’s video and audio recording file format adopts the industry-standard MXF (Material eXchange Format), an open source file format ideally suited for non-linear editing systems. Recording to versatile, readily available CF cards, the EOS C300/C300 PL realizes high cost-performance and, equipped with two CF card slots, makes possible the simultaneous recording of video data to two CF cards.

Ready for Action
With a compact body design measuring 5.2 (w) x 7.0 (h) x 6.7 (d) inches, the Canon EOS C300/C300 PL delivers exceptional maneuverability, enabling shooting from vantage points all but inaccessible to large cinema cameras, such as close to the ground for high-impact low-angle shots, and alongside walls. In accordance with on-location shooting needs, the camera can be outfitted with a handle, grip, thumb rest and monitor unit, and offers an array of industry-standard terminals, including HD/SD-SDI video output for the external recording of high-quality video content. When using a WFT-E6B wireless file transmitter for EOS digital SLR cameras (sold separately), the EOS C300/C300 PL can be controlled remotely by means of such common devices as smartphones or tablet PCs.

The camera is equipped with four start/stop buttons positioned at various locations to satisfy any preferred camera-holding style, and can be outfitted with a variety of third-party accessories, including matte boxes, follow focuses and external video and audio recorders. The unit also achieves seamless integration with third-party editing systems and provides added peace of mind through its dust-proof, drip-proof construction and built-in cooling system.

The new camera allows users to adjust image quality to match that of professional camcorders and EOS-series digital SLR cameras, and offers Canon Log Gamma, enabling flat image quality with subdued contrast and sharpness for maximum freedom in post-production editing and processing. In addition to frame rates of 59.41i, 50.00i, 29.97P, 25.00P and 23.98P, the EOS C300/C300 PL features a 24.00p mode, matching the 24 frame-per-second frame rate of film cameras for high compatibility with common film-production workflows.

Other features include fast-motion shooting, achieved by capturing fewer frames per second to create action up to 60x normal speed, and slow-motion down to 1/2.5xⁱⁱ made possible by capturing more frames per second. Frame rates between 1 and 60 frames per second (fps)ⁱⁱⁱ can be adjusted in increments of 1 fps. Additionally, a selection of Custom Pictures lets users freely adjust image quality for greater control over how content looks.

Pricing and availability
The Canon EOS C300 (EF mount) digital cinema camera is scheduled to be available in late January 2012 for an estimated list price of $20,000. The Canon EOS C300 PL (PL mount) digital cinema camera is scheduled to be available in late March 2012 for an estimated list price of $20,000.

For more information and to view online demonstration footage of the new products please visit: www.canoncinemaeos.com

About Canon Inc.
Canon Inc. (NYSE: CAJ), headquartered in Tokyo, Japan, is a leader in the fields of professional and consumer imaging equipment and information systems. Canon’s extensive range of products includes copying machines, inkjet and laser printers, cameras, video equipment, medical equipment and semiconductor-manufacturing equipment. Originally established in 1937 as Precision Optical Industry, Co., Ltd., a camera manufacturer, Canon has successfully diversified and globalized to become a worldwide industry leader in professional and consumer imaging systems and solutions. With over 195,000 employees worldwide, Canon has manufacturing and marketing subsidiaries in Japan, the Americas, Europe, Asia and Oceania; and a global R&D network with companies based in the United States, Europe, Asia and Australia. Canon’s consolidated net sales for fiscal 2010 (ended December 31, 2010) totalled $45.8 billion (at an exchange rate of ¥81 = US$1). Visit the Canon Inc. website at: www.canon.com

About Canon U.S.A., Inc.

Canon U.S.A., Inc., is a leading provider of consumer, business-to-business, and industrial digital imaging solutions. With more than $45 billion in global revenue, its parent company, Canon Inc. (NYSE:CAJ), ranks fourth overall in patent holdings in the U.S. in 2010†, and is one of Fortune Magazine’s World’s Most Admired Companies in 2011. Canon U.S.A. is committed to the highest levels of customer satisfaction and loyalty, providing 100 percent U.S.-based consumer service and support for all of the products it distributes. Canon U.S.A. is dedicated to its Kyosei philosophy of social and environmental responsibility. To keep apprised of the latest news from Canon U.S.A., sign up for the Company’s RSS news feed by visiting www.usa.canon.com/rss.

###

* This device has not been authorized as required by the rules of the Federal Communications Commission. This device is not, and may not be offered for sale or lease, or sold or leased, until authorization is obtained.

† Based on weekly patent counts issued by United States Patent and Trademark Office.

Specifications, price and availability are subject to change without notice. Actual prices are set by authorized dealers and may vary.

All referenced product names, and other marks, are trademarks of their respective owners.

i Compatible features differ depending on the EF Cinema Lens used.

ii 1/2.5x possible only when recording in 720p mode.

iii When 59.41i frame rate is selected.

New Lens Series Debuts with Seven Models and more in the wings

TOKYO, November 4, 2011/HOLLYWOOD, California, November 3, 2011—Canon Inc. and Canon U.S.A., Inc. today announced the introduction of seven new 4K EF Cinema Lenses, an all-new series of video cinematography lenses that, in addition to the company’s current lineup of interchangeable EF lenses for EOS single-lens reflex (SLR) cameras, form the core of Canon’s new Cinema EOS System. The launch of the Cinema EOS System marks Canon’s full-fledged entry into the digital high-resolution production industry. The new professional digital cinematography system spans the lens, digital video camcorder and digital SLR camera product categories.

Canon’s new EF Cinema Lens lineup includes four top-end zoom lenses covering a zoom range from 14.5 mm to 300 mm—two models each for EF and PL lens mounts—and three single-focal-length lenses for EF mounts. All seven new lenses are capable of delivering exceptional 4K optical performance and offer compatibility with the Super 35 mm-equivalent image format. The three single-focal-length EF lenses can be used with cameras equipped with 35 mm full-frame sensors.

The seven new lenses represent the starting cast of Canon’s new EF Cinema Lens series, a star-studded lineup that will continue to grow in the future with the introduction of new A-list zoom and fixed-focal-length lenses.

Wide-Angle and Telephoto Cinema Zoom Lenses for EF and PL Mounts

·        CN-E14.5-60mm T2.6 L S / CN-E14.5-60mm T2.6 L SP

·        CN-E30-300mm T2.95-3.7 L S / CN-E30-300mm T2.95-3.7 L SP

The four new Canon zoom cinema lenses comprise the CN-E14.5-60mm T2.6 L S (for EF mounts) and CN-E14.5-60mm T2.6 L SP (for PL mounts) wide-angle cinema zoom lenses, and the CN-E30-300mm T2.95-3.7 L S (for EF mounts) and CN-E30-300mm T2.95-3.7 L SP (for PL mounts) telephoto cinema zoom lenses. Each lens supports 4K (4096 x 2160 pixels) resolution, which delivers a pixel count four times that of Full HD (1920 x 1080 pixels), and offers compatibility with industry-standard Super 35 mm-equivalent cameras as well as APS-C cameras.^*1

Employing anomalous dispersion glass, effective in eliminating chromatic aberration, and large-diameter aspherical lenses, the zoom lenses achieve high-resolution imaging from the center of the frame to the outer edges. Each lens is equipped with a newly designed 11-blade aperture diaphragm for soft, attractive blur characteristics, making them ideally suited for cinematographic applications.

The focal length range of 14.5-300 mm covered by the new zoom lenses represents the most frequently used focal lengths in theatrical motion picture production, a range that often requires a combination of three or more separate zoom lenses. Canon’s new wide-angle and telephoto cinema zoom lenses, however, offer a wider angle and powerful zooming to provide complete coverage across this range with just two lenses. The new wide-angle cinema zoom lenses will offer the industry’s widest angle of view among 35 mm digital cinema lenses with a wide-angle-end focal length of 14.5 mm.^*2

Zoom, focus and iris markings are all engraved on angled surfaces for improved readability from behind the camera. With a focus rotation angle of approximately 300 degrees and a zoom rotation angle of approximately 160 degrees, the lenses facilitate precise focusing performance while making possible smooth and subtle zoom operation.

The new top-end cinema zoom lens lineup can be used with standard manual and electronic movie industry accessories, as well as matte boxes. Featuring a unified front lens diameter and uniform gear positions, the lenses do away with the need to adjust or reposition accessory gear when switching between other lenses in the series.

Pricing and availability
Both the Canon CN-E14.5-60mm T2.6 L S (EF mount) lens and the Canon CN-E14.5-60mm T2.6 L SP (PL mount) lens are scheduled for late January 2012 availability. The Canon CN-E30-300mm T2.95-3.7 L S (EF mount) and Canon CN-E30-300mm T2.95-3.7 L SP (PL mount) lenses are scheduled for late March 2012 availability. Please contact an authorized dealer for detailed pricing information in your region.

Single-Focal-Length Cinema Lenses for EF Mounts

·        CN-E24mm T1.5 L F / CN-E50mm T1.3 L F / CN-E85mm T1.3 L F

Del escritorio del

VideoWorld Studio

http://www.video.com.mx